Jul. 16th, 2007

saavedra77: Back to the byte mines ... (existentialism)
I'm pleased to say that I ended up seeing even more of the Noir City festival than I'd initially planned, last week: ten films noir from the '40s and '50s, some of them exceedingly rare, as well as Robert Altman's 1973 The Long Goodbye. I'd meant to post notes as I went, but better late than never, right? These were my impressions of the first three pictures I saw during the festival:

Thieves' Highway )

Woman on the Run )

The Pitfall )

More Later.
saavedra77: Back to the byte mines ... (goin' to hell)
The idea of technicolor film noir strikes a lot of people as a contradiction in terms, and, yet, how else to classify these two ...?

Desert Fury )

Leave Her To Heaven )

Next: Something really lightweight.
saavedra77: Back to the byte mines ... (highway)

99 River Street and I Love Trouble didn't strike me as particularly deep, but they were both vastly entertaining:

99 River Street )


I Love Trouble )

Pig Noir )

More tomorrow.

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saavedra77: Back to the byte mines ... (Default)
Anthony Diaz

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